It began with a pencil line. An S-curve drawn instinctively — fluid, confident, unresolved. From that single gesture, Serpentine emerged.
Designed by Broberg & Ridderstråle, the chair carries that original movement through every detail. Steel tubing sweeps gently around the sculpted shell before touching down lightly at the floor. The proportions are refined, the transitions considered. Nothing abrupt. Nothing overstated.
There is a quiet confidence to Serpentine. It speaks to Scandinavian design history — clarity, material honesty, restraint — while feeling entirely present. The frame appears almost suspended, delicate yet deliberate, holding the curved shell in balance.
Up close, the details reveal themselves slowly. The subtle shift in the steel where structure is needed. The way the armrest narrows before strengthening. The tactile quality of upholstery in sheepskin, fabric or leather.
Serpentine is light in scale, generous in comfort and designed to evolve over time. A line made three-dimensional. A gesture held in steel and timber.
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